"Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you--well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless, beautiful creature, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him."
Once upon a time, a dreamy wistful boy was plucked out of his quasi-bourgeois existence in suburban Cairo and dropped into the throbbing heart of Gotham city.
Fresh off the boat, he was faced with the dire prospect of a lackluster experience in post-Giuliani New York: Hyper-sanitized and clogged with Starbucks and Gap stores on every corner, the decadent city, the beacon of hedonism, the dance, culture and art Mecca and its anything-goes attitude was no more.
Studio 54 was long gone, and so was the Limelight, the Saint and every other high-glam high-debauchery venue. Street artists and Punk rockers were evicted from their East Village squatter apartments and replaced with investment bankers. Bob Dylan’s Greenwich was gentrified into a boutique center. As if to optimize an end of an era, Disney’s Flagship store was opened in the heart of Times Square, the former Red District.
Undeterred by this seeming dystopia and convinced that the creative energy - that once was - must have channeled itself through other forms of expression, Louly set out in search of the New York of his imagination. He joined a literary circle, befriended street artists, anarchists, punk-rockers, gender-illusionists, flamenco dancers, theater queens and full-time anti-war protesters. He toured Europe for a year, and while living in Paris, mingled with the Bohemian Bourgeoisie, rive gauche intellectuals and Vietnam-era self-exiled American expats.
Louly moved back to Gotham, completed his Engineering degree and still surrounded himself with starving artists and trust-fund babies alike, drag queens and political refugees, yuppies and New-age Hippies, WASPs and Marielitos.
Louly continues to lead a Peter-Pan-like existence surrounded by mermaids and fairies in a make-believe magical world where no one ages and everyone is beautiful and fierce, a world where the laws of physics simply do not apply. This is his story.
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